📽️ Cite Black Barnard Installation
February 28, 2022 - March 4, 2022
Partnering with the Movement Lab at the Milstein Center, our first installation included:
- Short excerpts from scholarly or popular articles written by Black Barnard faculty
- Images relevant to their work
- An edited compilation of clips from their lectures and performances.
This exhibit provided an immersive engagement in Barnard faculty work, which can connect to classes in which these texts are taught, as well as bringing in community members who might not otherwise experience the project.
The exhibition showcased various works of a few of Barnard’s Black faculty members. The works displayed ranged in medium from acting, speaking, video, and dance, and explore themes of performance and protest.
Throughout the week-long exhibition, thirty-two members of the Barnard community stopped by and immersed themselves in the installation!
Watch the installation video here0:00-2:32 For Colored Girls (Ntozake Shange)
2:33-5:07 Understanding Race and Religion through Othello (Kim F. Hall)
5:08-8:41 Are the Gods Afraid of Black Sexuality Conference (Mignon R. Moore)
8:42-12:00 How Images of Protest Have Been Impacted By Social Media (Colin Wayne Leach)
12:01-18:42 Quarantine (Gabri Christa)
18:43-25:52 The Poetics of the Cold War (Kaiama L. Glover)
25:53-32:22 Pink in African American Music and Culture (Monica Miller)
For Colored Girls
For Colored Girls
Understanding Race and Religion through Othello
Understanding Race and Religion through Othello
Are the Gods Afraid of Black Sexuality Conference
Are the Gods Afraid of Black Sexuality Conference
Quarantine
Quarantine
The Poetics of the Cold War
The Poetics of the Cold War
