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    Feminist Activism and Class Politics

    Abstract / Excerpt

    “The idea of women’s activism, particularly in the context of colonial Nigerian history, often conjures up images of markets and mass movements, of throngs of women vociferously occupying public spaces to exact their rights as gendered and empowered beings ... Market women’s politics was one based on claims to ‘traditional’ gendered empowerment and a defense of said empowerment against the machinations of the colonial state. Since women’s market-based activism was carried out by women on their own behalf in an effort to achieve immediate and tangible goals related to their own daily lives, its feminist quality is unquestionable. The question becomes: can activist work that is conceptualized and carried out by one set of women for the sake of another be similarly characterized as feminist?”

    About the Author

    Abosede GeorgeAbosede George
    Feminist Activism and Class Politics
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    Feminist Activism and Class Politics
    Abosede GeorgeAbosede George

    Women’s Studies Quarterly

    The Feminist Press at the City University of New York

    Feminism, Nigeria, Markets, Activism

    Article
    16 pages

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    Feminist Activism and Class Politics: The Example of the Lagos Girl Hawker Project on JSTOR

    Journal Information Since 1972 WSQ has been an interdisciplinary forum for the exchange of emerging perspectives on women, gender, and sexuality. Its thematic, special issues combine psychoanalytic, legal, queer, cultural, technological, and historical work to present the most exciting new scholarship on ideas that engage popular and academic readers alike.

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    Citation “I think in academia Black voices are not taken seriously even on issues that are specific to Black people. My mother is a leading research scientist and she's highly specialized in genetics, with a focus in sickle cell disease. Institutions have implicitly and explicitly commented on how her race, gender and national identity make her work less credible. I wanted to be part of the cite-a-thon because I imagine that her experience is not unique. I love being the audience for Black writers because their work inspires me to do what I am passionate about. As a Black woman who loves literature I feel that it is my responsibility to support those whose experience I am likely to empathize with.” - Zara Simba, BC '24
    Cite Black Barnard