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    Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity

    Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity

    Abstract / Excerpt

    "Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora."

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    Slaves to Fashion

    " enriches current scholarship by undertaking a large-scale survey of how members of the black diaspora have used fashion to negotiate identity. . . . Slaves to Fashion is accompanied by well chosen and well-rendered illustrations and photographs that communicate the book's argument eloquently. . . .

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    Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity
    Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity
    Monica L. MillerMonica L. Miller

    Duke University Press

    Fashion, Dandyism, African-American History, African-American Men, Race Identity, Black Diaspora

    Book
    408

    About the Author

    Monica L. MillerMonica L. Miller
    Cite Black Barnard